THE GCS STORY

Grantham has enjoyed a rich history of live instrumental and choral music since at least the mid-19th century. In those early years, many local choral societies were accompanied by their own small orchestras. The following timeline traces the musical heritage of the Grantham Choral Society (GCS) and highlights key milestones over its sixty-plus year history.

  • 1867

     

    The Grantham Journal first noted the proposed Grantham Amateur Vocal Society. However, appointing officers and a committee before officially founding the society proved to be an unwise move. Meanwhile, a more successful group emerged: the Amateur Choral Class, which performed its critically acclaimed debut concert in November.

  • Press reports indicate that the original Philharmonic (orchestral) society and the 1867 choral group folded after overextending themselves financially. In contrast, the Amateur Choral Class continued to thrive, staging its fourth successful concert by the end of 1872.

     

    1869- 1872

  • 1873

     

    By December 1873, the Amateur Choral Class had staged its seventh concert. According to the local press, it had become the town’s sole remaining choral society.

  • Grantham once again hosted two distinct groups: the Amateur Musical Union and the Amateur Vocal Society. Lord Dysart proposed merging both groups into a single Musical Society, with the potential to include the Orchestral Society as well. Following a public meeting, the merger was approved, creating the Grantham Philharmonic Society, which continued performing through the mid-1930s.

    Around this time, the Grantham Orchestral and Choral Society was also formed. When it could no longer support a full orchestra, it rebranded as the Grantham Choral Society, and later, the Grantham Singers.

     

    1888

  • 1963

     

    February 1963 launched a year-long celebration marking the quincentenary of Grantham’s town charter. Planning had begun in 1962, highlighted by an early performance of Handel’s Messiah at St. Wulfram’s Church. The chorus featured a combined ensemble of local choirs led by Philip Lank, the parish church organist and choirmaster.

    Spurred by the success of the performance, the singers formed the Grantham Music Society, continuing under Lank’s direction. In March, 60 to 70 singers performed J.S. Bach’s St. Matthew Passion. By year’s end, the society hosted its inaugural Festival of Carols at Finkin Street Methodist Church—an annual tradition still affectionately known by locals as the “Finkin Street Carols.”

  • The group rebranded back to the Grantham Choral Society to better distinguish itself from other local music groups—a title it retains to this day, often shortened to GCS or Grantham Choral. This era also saw the launch of the first “Come and Sing Messiah,” an event periodically repeated over the years featuring local singers performing Handel’s Messiah.

     

    1964-1967

  • 1988

     

    GCS celebrated its 25th anniversary with a celebratory dinner at the George Hotel, featuring guest speaker Sir Charles Groves.

  • The society celebrated its 30th anniversary with a dinner at the Swallow Hotel. This year also marked the formation of the Grantham Choral Society Youth Choir.

     

    1993

  • 2004

     

    GCS marked 40 years with a full performance of Messiah at St. Wulfram’s Church, followed the next month by a celebratory meal in the Officers’ Mess at the Prince William of Gloucester Barracks.

  • GCS celebrated its 50th golden anniversary.

     

    2013

  • 2020

     

    When the COVID-19 pandemic forced lockdowns, GCS shifted to virtual “Zoom” rehearsals—keeping members singing through unprecedented times.

  • GCS returned to the stage for its first full concert since autumn 2019. Driven by the resilience and generosity of its members, the choir bounced back to grow and flourish once again, culminating in a festive 60th anniversary concert (complete with cake!).

     

    2021-present

  • 1867

     

    The Grantham Journal first noted the proposed Grantham Amateur Vocal Society. However, appointing officers and a committee before officially founding the society proved to be an unwise move. Meanwhile, a more successful group emerged: the Amateur Choral Class, which performed its critically acclaimed debut concert in November.

  • 1869 - 1872

     

    Press reports indicate that the original Philharmonic (orchestral) society and the 1867 choral group folded after overextending themselves financially. In contrast, the Amateur Choral Class continued to thrive, staging its fourth successful concert by the end of 1872.

  • 1873

     

    By December 1873, the Amateur Choral Class had staged its seventh concert. According to the local press, it had become the town’s sole remaining choral society.

  • 1888

     

    Grantham once again hosted two distinct groups: the Amateur Musical Union and the Amateur Vocal Society. Lord Dysart proposed merging both groups into a single Musical Society, with the potential to include the Orchestral Society as well. Following a public meeting, the merger was approved, creating the Grantham Philharmonic Society, which continued performing through the mid-1930s.

    Around this time, the Grantham Orchestral and Choral Society was also formed. When it could no longer support a full orchestra, it rebranded as the Grantham Choral Society, and later, the Grantham Singers.

  • 1963

     

    February 1963 launched a year-long celebration marking the quincentenary of Grantham’s town charter. Planning had begun in 1962, highlighted by an early performance of Handel’s Messiah at St. Wulfram’s Church. The chorus featured a combined ensemble of local choirs led by Philip Lank, the parish church organist and choirmaster.

    Spurred by the success of the performance, the singers formed the Grantham Music Society, continuing under Lank’s direction. In March, 60 to 70 singers performed J.S. Bach’s St. Matthew Passion. By year’s end, the society hosted its inaugural Festival of Carols at Finkin Street Methodist Church—an annual tradition still affectionately known by locals as the “Finkin Street Carols.”

  • 1964 -1967

     

    The group rebranded back to the Grantham Choral Society to better distinguish itself from other local music groups—a title it retains to this day, often shortened to GCS or Grantham Choral. This era also saw the launch of the first “Come and Sing Messiah,” an event periodically repeated over the years featuring local singers performing Handel’s Messiah.

  • 1988

     

    GCS celebrated its 25th anniversary with a celebratory dinner at the George Hotel, featuring guest speaker Sir Charles Groves.

  • 1993

     

    The society celebrated its 30th anniversary with a dinner at the Swallow Hotel. This year also marked the formation of the Grantham Choral Society Youth Choir.

  • 2004

     

    GCS marked 40 years with a full performance of Messiah at St. Wulfram’s Church, followed the next month by a celebratory meal in the Officers’ Mess at the Prince William of Gloucester Barracks.

  • 2013

     

    GCS celebrated its 50th golden anniversary.

  • 2020

     

    When the COVID-19 pandemic forced lockdowns, GCS shifted to virtual “Zoom” rehearsals—keeping members singing through unprecedented times.

  • 2021 - PRESENT

     

    GCS returned to the stage for its first full concert since autumn 2019. Driven by the resilience and generosity of its members, the choir bounced back to grow and flourish once again, culminating in a festive 60th anniversary concert (complete with cake!).

The Exchange Hall taken C1888. This is where most concerts were held in the late C19.

Rehearsal of Messiah in St Wulfram’s – 2nd Feb 1963

All this gives just a flavour of the transformations that created Grantham Choral Society as it is today, continuing to promote a rich history of music in the town.

We would also add that Grantham Choral Society  owns a comprehensive historical archive, first published in 2013 which we intend to keep updating as the Society  moves forward, some of which are reproduced below.

THE GCS LOGO

The idea of a logo was discussed extensively by the committee in the late 1970’s.  Many ideas were considered and ideas were sought from the members.  Finally, in 1983, the chosen logo was launched in time to celebrate twenty years of the society.  The design was taken from the doodles of the late John Kendall, a local solicitor and later chair of GCS.  John took the initial letters of the society and placed them in such a way that they formed a stylised and elegant treble clef.

To celebrate the silver jubilee of GCS in 1988 a local silversmith, the late John Cussell, fashioned the logo into a silver brooch, one that some members still wear today.  After the logo was adopted, it was used for many years on concert programmes and posters in a sapphire blue taking on the label of GCS blue.

In 2026, to reflect an increasingly digital world, GCS decided to retire its much-loved logo. After over 40 years of sterling service and to more align itself to 21st century demands GCS decided on a rebrand, to include the commissioning of a new logo. It was important that the new look should reflect GCS’ rich history. As is evident, the initials GCS underpin its design as well as nod affectionately towards its predecessor.

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